The Pauper, 1894-1895,
Theodor Kittelsen. This and other works by Kittelsen have appeared on Norwegian
black metal albums
Black
metal is a musical subgenre that grew out of death metal and, more broadly,
heavy metal. In general, it pushes certain aspects of this genre to even
farther extremes: fast tempos, shrieking vocals, and violent stage acts. Black
metal bands can be found almost anywhere—Europe, North America, East Asia, even
Indonesia and Israel.
In
one country, however, it has developed differently, taking violence off-stage
and into the political arena. That country is Norway. In the early to
mid-1990s, black metallists launched a wave of arson attacks on churches,
including one dating from the 12th century. By 1996 there had been 50 church
burnings, with similar attacks spreading to Sweden.
Those
convicted showed no remorse, and lack of remorse still prevails among many in
the black metal scene:
Many,
such as Infernus and Gaahl of Gorgoroth, continue to praise the church burnings,
with the latter saying "there should have been more of them, and there
will be more of them". Others, such as Necrobutcher and Kjetil Manheim of
Mayhem and Abbath of Immortal, see the church burnings as having been futile.
Manheim claimed that many arsons were "just people trying to gain
acceptance" within the black metal scene. Watain vocalist Erik Danielsson
respected the attacks, but said of those responsible: "the only
Christianity they defeated was the last piece of Christianity within
themselves. Which is a very good beginning, of course". (Wikipedia, 2015b)
Why
this hostility to Christianity? And why is it more extreme in Norway? These
questions are raised in a review of black metal around the world:
Individualistic
and anti-Christian rhetoric is common across the American death metal scene,
and metal bands worldwide look to native traditions as a means to combat
cultural hegemony [...], yet nothing on the scale of the crimes in Norway has
occurred elsewhere. (Wallach et al., 2011, p. 198)
One
reason is the role of organized religion in Norwegian life. Although there are
other denominations, the Church of Norway is the leading one and receives State
support. Despite recent legislation in 2012 to weaken this relationship with
the State, all clergy remain civil servants, the central and regional church
administrations remain part of the state administration, all municipalities
must support the Church of Norway's activities, and municipal authorities are
still represented in its local bodies (Wikipedia, 2015a)
As
either a partner or a rival of the government, the Church of Norway has helped
to make public policy: first, the postwar expansion of the welfare state and,
later, the boycotts against South Africa. Now, it is leading the push for large-scale
non-European/non-Christian immigration, which began in the early 1990s through
the "sanctuary movement." By 1993, as many as 140 congregations were
housing 650 Albanians from Kosovo. By reframing immigration in moral terms, the
Church made it that much harder to place limits on it, since morality is
normally perceived in absolute terms, e.g., murder is always wrong, and not
wrong within limits (Lippert and Rehaag, 2013, pp. 126-129).
After
a lull, this movement is once more on the upswing:
As
the group of unreturnable refugees in Norway has risen over recent years,
churches have again become places for public appeals for these groups, through
hunger strikes, tents camped as protest at the walls of central churches, and
asylum marches following old pilgrimage paths. (Lippert and Rehaag, 2013, p.129).
The
Church of Norway is now working with Lutherans elsewhere in Northern Europe to
facilitate immigration from Africa and the Middle East. At a meeting this year
in Trondheim, the Lutheran World Federation pushed for three measures:
expansion of Italy's Mare Nostrum initiative to the entire Mediterranean;
creation of "safe passage" corridors for migrants; and "just
distribution" of migrants within Europe (Anon, 2015).
Norway
is not the only country where churches have been promoting African and Muslim immigration,
but church involvement is especially pivotal there and in Scandinavia as a
whole. Because immigration was very limited until recent decades, it is legitimized
much more by Christian universalism than by a pre-existing tradition of
immigration, as in the United States, Canada, and France. A second reason is
the relative dominance of one State-supported church and the unthinking
adherence of most Scandinavians, even atheists, to the Lutheran tradition.
Thus, in comparison to other predominantly Christian societies, they can more
quickly reach a policy consensus, or have one imposed on them.
When a stage act
leaves the stage
This
was the social context that radicalized Norway's black metal scene, causing it to
go beyond the fake violence of stage performances. Wallach et al. (2011, p.
196) argue that the acts of arson had their roots in "disaffection and alienation
from the dominant society," which many musicians tried to channel into
"an extended campaign to return Norway to an idealized pagan past through
acts of destruction."
That
campaign failed. It foundered on the movement's nihilism and contempt for
ordinary men and women. "Extreme metal in general does not lend itself
well to inciting social change beyond its own scene, since the lyrics are
frequently indecipherable and the musical characteristics are often confounding
to the uninitiated listener" (Wallach et al., 2011, p. 196). Moreover, as
a haven for disaffected people, the metal scene tended to attract loners,
exhibitionists, and other misfits. Though perhaps better at seeing through the
lies of mainstream society, they lacked the social skills to win the mainstream
over to their point of view.
There
were of course other reasons why they failed to win over the mainstream. The
burning of historic churches antagonized Norwegians in general, including
traditionalists and even many black metallists, thus making it easier for the
police to crack down and sentence key individuals to lengthy prison terms.
Commercial success caused others to become apolitical: "many black metal
musicians are now attempting to focus on their actual music and do not want that
to be overshadowed by social and political activism" (Wallach et al.,2011, p. 196).
Today,
the black metal scene exists mostly as a weird subgenre:
Isolated
acts of vandalism still occur, and some in the scene, like Gaahl of Gorgoroth,
still engage in violence. Yet the incendiary rhetoric frequently leveled at
Western urban society, multiculturalism, and Christianity has not produced the
uprising and pagan resurgence that some in the scene claim to desire. (Wallach et al., p. 196)
And Breivik?
It
would be tempting to see the church burnings as a prelude to Anders Breivik and
the 2011 Norway attacks. Yet, by his own account, Breivik was never into black
metal, preferring hip-hop instead. In his manifesto, he disparaged the Oslo
metal scene as quiet and law-abiding, an indication that the church burnings
had limited support even within that subculture.
[...]
As for the right wing community at that time, it was simple. They loved metal
and we loved hip-hop. Being into the very small right wing community or the
larger mainstream rock community meant Goth girls and hard rock. I disliked
both. The big irony was that they; Edward and his friends, were a lot more
"normal" than us during this period. They were peaceful while we were
violent. They followed the law and rules while we broke the law and ignored the
rules again and again. At the same time, the hip-hop community was cheered by
the media, praised as the pinnacle of tolerance among the new generation, while
THEY were condemned for their political views, systematically harassed and
beaten by non-white gangs, extremist Marxist gangs (Blitz etc) and the police.
(Berwick, 2011)
During
this time of his life, he saw young Muslim men as role models and looked down
on "ethnic Norwegians" as sissies:
If
I ever got in to trouble I expected my friends to back me up 100% without
submitting or running away, as I would for them. Very few ethnic Norwegians
shared these principles. They would either "sissy out", allow
themselves to be subdued or run away when facing a threat. [...] The majority
of people who shared these principles of pride was the Muslim youths and the
occasional skinhead.
In
time, Breivik became disenchanted, eventually leaving the hip-hop milieu after
a personal incident. The more he associated with Muslims and antifas, the more
his respect for them became a simple matter of "necessity":
In
Oslo, as an ethnic Norwegian youth aged 14-18 you were restricted if you didn't
have affiliations to the Muslim gangs. Your travel was restricted to your own neighbourhoods
in Oslo West and certain central points in the city. Unless you had Muslim
contacts you could easily be subject to harassment, beatings and robbery. Our
alliances with the Muslim gangs were strictly seen as a necessity for us, at
least for me. We, however, due to our alliances had the freedom of movement.
In
short, there is no reason to believe that the black metal scene helped to push
Breivik toward his terror attacks. The only elements common to both are Norway
itself, its policy of demographic change, and the weak hold of mainstream
culture on marginal individuals.
Conclusion
Aside
from a few frozen islands and a brief claim to part of Greenland, Norway never
had a colonial empire. Nor was it ever involved in the slave trade. Yet, today,
the average Norwegian feels more guilt over having white skin and more
deference toward dark-skinned people than do citizens of most European
countries, including former colonial powers. This is a relatively recent development, being postwar and mostly post-1960—a time when Norway and other Scandinavian countries
were striving to assimilate
modern Western values, including antiracism.
Scandinavians
have been very good at internalizing and acting out those values. They are like
model students who have learned to outdo their teachers. This partly
reflects—ironically—their cultural homogeneity and their ability to reach
consensus and act collectively with little foot-dragging.
This
also reflects certain profound psychological traits that characterize Northwest
Europeans in general, with Scandinavians forming the epicenter. To the north
and west of the Hajnal line, Europeans have long had weaker kinship ties and correspondingly
stronger individualism. This social environment has in turn favored a greater
emphasis on absolute, universally applicable rules, combined with a stronger
desire to expel rule breakers. This system of morality differs from the
relativistic, kin-based morality that prevails elsewhere in the world, where
right and wrong are more a matter of whose side you are on ... and who does
what to whom.
Moral
universalism and moral absolutism have brought many benefits. They have enabled
Northwest Europeans to free themselves from the limitations of kinship and
build large high-trust societies that leave greater room for the individual. But
such societies have an Achilles heel. They are vulnerable to people who play by
a different rule book, be they native deviants who practice "selfishness
for me and selflessness for thee" or immigrants from low-trust, kin-based
societies ... in short, the majority of humans on this planet.
In
the past, this was no problem because Norway received few immigrants and
because rule breakers of any origin were ruthlessly ostracized. Over the past
half-century, however, Norwegians have been persuaded that the supreme rule is Thou shalt not be racist. It follows,
therefore, that racists are supreme offenders who must be expelled from
society, like witches and heretics of another age. A psychological mechanism
that once enabled Norwegian society to perpetuate itself has been reprogrammed
to ensure its self-liquidation.
That
outcome is not far off. In a country of five million or so, it doesn't take
long to elect a new people. Even remote Arctic communities like Narvik are
starting to look like a cross between Mogadishu and Karachi. Will Norwegians
stop before it’s too late?
Stopping
means dismantling the moral consensus that has legitimized this massive
demographic change. But how? Violence simply confirms the judgment that racism
is evil. This is what happened after the church burnings and the attacks of
2011. A moral consensus can be dismantled only by moral means ...by denouncing
it openly and nonviolently.
That
won't be easy. No one wants to be a "bad" person, and in a conformist
society like Norway a rule-breaker is “bad” no matter how stupid the rule may
seem. As long as the rule is affirmed and never challenged, people will obey
and make others obey. Only when enough people challenge it—openly and
defiantly—will the moral consensus weaken and collapse. To get from here to
there will be difficult but it can be done. Rules of sexual morality were
deconstructed. Why not antiracism?
Finally,
Norwegians should remember the cost of being "good." A
"good" member of a death cult will die just as surely as a
"bad" member. And that is exactly what antiracism has become for
Norway. A death cult.
References
Anon.
(2015). Europe's Lutherans pledge increased efforts to welcome refugees, The Lutheran World Federation, May 19
https://www.lutheranworld.org/news/europe%E2%80%99s-lutherans-pledge-increased-efforts-welcome-refugees
Berwick
[Breivik], A. (2011). A European
Declaration of Independence.
https://publicintelligence.net/anders-behring-breiviks-complete-manifesto-2083-a-european-declaration-of-independence/
Lippert,
R.K., and S. Rehaag. (2013). Sanctuary
Practices in International Perspectives: Migration, Citizenship, and Social
Movements, Routledge
https://books.google.ca/books?id=LBAmltBXyUYC&printsec=frontcover&hl=fr&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
Wallach,
J., H.M. Berger, P.D. Greene. (2011). Metal
Rules the Globe: Heavy Metal Music Around the World, Duke University Press.
https://books.google.ca/books?id=1WgxKHHr-2kC&printsec=frontcover&hl=fr&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
Wikipedia
(2015a). Church of Norway
https://en.wikipedia.org/wiki/Church_of_Norway#Current_issues
Wikipedia
(2015b). Early Norwegian black metal
scene
https://en.wikipedia.org/wiki/Early_Norwegian_black_metal_scene